So our audio engineers know exactly what’s on which track. “We always put narration on Track 1 and 2, “We send all our audio files out for ProTools mixing,” writes one editor in an e-mail. You can’t reconnect to the wrong thing.Ĭomplaint: You can’t assign audio tracks. When you reconnect the missing hard drive, your project reconnects to its original files automatically, even if you have moved them around Then again, the old Reconnect dialog box got people into a lot of trouble they often reconnected a project to the wrong files, or the wrong versions of files.įCP X assigns a unique behind-the-scenes identifier to every single video clip. There is no Reconnect Media command, as there used to be.Īnswer: True. When media is offline, you get a red screen with an exclamation point. In the Import dialog box, there’s an option called “Copy files to Final Cut Events folder.” If you turn it off, Final Cut leaves the imported files whereĬomplaint: No Reconnect command when media is offline. Ridiculous,” says one readerĪnswer: Again, not true. “When you import video files, FCP X puts them all into your User-> Movies folder, like iMovie does. Dragging a clip into a folder essentially applies a new keyword to it.Ĭomplaint: You can’t specify import locations. “There is no way to customize the organization of the project media,” gripes one blogger.Īnswer: You can customize the organization freely if you’re willing to understand the new keyword tagging system. If the other editors don’t have the raw files, the various commands in the File menu let you move the project file, the media files, or both to another computer on the network, to another hard drive or whatever.Ĭomplaint: You can’t freely organize your media files. Library on its Info panel, they can click “Modify Event References” to reconnect the project to their own copies of the media files. The other editors can inspect the Project
If the other editors already have the raw video files, you can hand over the project file.
You can share your project, your files, or both.
You literally have to give that other editor your entire computer,” writes one blogger.Īnswer: Not true. Now globally contained in the application rather than in your project file. But in FCP X, “all of your project organization is
#Install pro video formats without final cut professional
In professional editing companies, editors routinely exchange projects. V key (“disable”), you are effectively cutting to what’s on the lower video track.Ĭomplaint: You can’t share a project with other editors. Now, each time you select a piece of the upper video track and press the By comparing their audio tracks, the program aligns the clips exactly. Parallel timeline tracks, you can choose Clip->Synchronize Clips. It was a star feature of Final Cut, and it’s gone from FCP X.Īnswer: Apple intends to restore this feature in an update, calling it “a top priority.” Until it does, here’s a stopgap facsimile of multicam editing: If you drag two clips into In the old FCP, you could import the footage from various cameras that covered an event (say, a concert) from different angles simultaneously, and thenĮasily cut back and forth between them while editing. It’s onlyįair, however, to separate what’s really missing from knee-jerk “It’s so different!” hysteria.Ĭomplaint: There’s no multicamera editing. I’m not trying to be an Apple apologist FCP X offers legions of amazing features that the old version didn’t have, but it doesn’t have all the features of the old one, either. The “missing features” generally fall into three categories: features that are actually there and have just been moved around, features that Apple intends to restore and features that require a third-party I foundįCP X infinitely more powerful than iMovie, yet infinitely less intimidating than the old Final Cut.īut in this post, I’m going to address the concerns of professional video editors, one by one. I made four movies with Final Cut Pro X, including helping my son with a 20-minute final eighth-grade project.
I wrote my review from the perspective of an advanced amateur I’m not a professional editor. There are so many missing high-end features that we need, “Apple has absolutely no clue what professionals need. “This is Apple’s worst release in history,” seethed one in an e-mail message. Columnist, David Pogue, keeps you on top of the industry in his free, weekly e-mail newsletter.
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